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COVER PICTURES

Volume : 19 Issue: 1



Piri Reis’s Map (The First World Map)

Piri Reis’s map is one of the oldest maps which reached our times illusturating the continent of America. It was drawn by Ottoman Admiral Piri Reis in 1513 and depicts western shores of Europe and Africa and eastern shores of South America. It is a valuable historical document demonstrating geographical knowledge of 16th century European and Muslim seamen. It was prepared by combining 20 maps including a map which belonged to Christopher Colombus.

This text is about the first map of Piri Reis, who drew a second map illusturating America in 1528.

The side notes on the map mentions that this map was a combination of approximately 20 maps including some maps obtained from Spanish and Portugese ships captured in the Mediterrenean sea. Among other maps there were 8 “Caferiye,” 4 Portugese, an Arabic map illusturating South Asia, and an American map, which belonged to Christopher Columbus. Caferiye maps were copied during Abbasi Caliphate Me’mun and belong to times of Great Alexander.

To report the source of Middle America as Christopher Columbus on Piri Reis’s map the following was written on the side of map by a handwriting diffirent than Piri Reis’s one: “These names were given to the mentioned islands and shores by Columbus, so that they are known. Columbus was a grand astrologer. These shores and islands depicted in Middle America were written from Columbus’s map.”

Piri Reis’s map is a historical document, which brought together all geographical knowledge on 20 maps with correct and false data at that time. Should one consider that some of these maps were enemy secrets and side notes included statements from Spanish and Portegese prisoners of war, at the same time the map is a valuable maritime intelligence work. The ability to collect all these material in one hand could be seen as an indicator of military power of Ottoman Navy in 16th century.

Source: Wikipedia Piri Reis' Map (İlk Dünya Haritası) item.

http://tr.wikipedia.org/wiki/Piri_Reis'in_Haritas%C4%B1_(%C4%B0lk_D%C3%BCnya_Haritas%C4%B1 ) .

Piri Reis was the Admiral in Ottoman Navy overseeing the Red and Oman Seas during his last official duty. Besides commanding the navy he was involved in maritime sciences of the time, as well. This map and his book named “Bahriye” (Maritime Sciences) clearly demonsterates his knowledge and skills about maritime sciences of the time. In addition to describing and classifying the Mediterrenean sea and cities and countries located on the shores of it at that time, “Bahriye” also contains significant knowledge about navigation and seamanship.

Piri Reis drew his map in 1513 in the city of Gelipoli and personally presented it to Sultan Selim I, the conquerar of Egypt, in 1517 in Egypt.

The map was drawn in color on parchment paper carefully. The part of map we have in hand today is a section of a world map. The careful examiners would notice the side notes on the east site of the map were cut in the middle. One can deduce from this that the whole map had also illusturated the known parts of the world at that time (i.e. Europe, Asia, Afrika, and discovered parts of America).
Unfortunately, we only have a part in hand of this very important map. We would have had a perfect map in Turkish, drawn in 1513 illusturating the old and new world together, if the other parts were not cut and lost. As the voyages of Christopher Columbus occurred in the end of 15th and beginning of 16th centuries (he returned from his forth voyage in 1504), the map, which was drawn within few years of new discoveries, would have been one of first maps showing all continents of world together.

(Source: Turkish History Association web site: http://www.ttk.org.tr/index.php?Page=Sayfa&No=82 )
 

Volume : 19 Issue: 2



Ibn Sina (also known as Avicenna), who was called to treat a relative of old Gurgan emperor Qabus Vesmgir, saw a young man with a handsome face and appropriate extremities. The patient was emaciated and needed to shave. Ibn Sina sat and felt his pulse and checked his urine. Then he requested someone, who knew the names of all sections in Gurgan and surrounding areas. They found and brought such a man. Ebu Ali (Ibn Sina) asked the man to call the names of sections of Gurgan, while he was feeling pulse of the patient.

The pulse of patient showed an unusual change when the name of a particular section was called. Ibn Sina asked the caller to name the streets in that section. The unusual pulse change repeated when the name of a street was called. Then he requested someone, who knew all the families lived in that street. A man was identified and brought. When a certain family name was called, the same unusual pulse change occurred again. Ebu Ali asked for a man, who knew all the names in that family. They brought the man and he started to speak up the names of all family members. The same unusual pulse change repeated during pronounciation of a name. Ibn Sina turned to staff of Emperor Qabus and said: “ This young man had been in love with this girl, who lived in this street, and in this section of city. Marrying to her was his medicine and seeing her would have made him feel better.” The patient was listening to, he covered his face because of emberassment, the staff realized the issue was as Ebu Ali described.

Emporer Qabus was suprised when they reported the situation to him. He asked his staff to bring Master Ebu Ali. Emporer recognized him, as he was sent a picture of Ibn Sina by Sultan Yeminüddevle. The emperor came down from his throne and welcomed and hugged him. They sat on a carpet in front of the throne.

Emperor complimented Ibn Sina and said: “Dear supreme and magnificient philosopher tell me feature of this treatment!” After checking the pulse and urine I thought the condition was love sickness and it reached this degree because he did not share the problem with anyone else. If I had asked him, he would have not told the truth. I placed my fingers on his pulse. They called the names of sections, when the section of the loved one was called his pulse changed, that meant the loved one was from that section. I ordered the names of streets to be called, I noted name of the street, where the loved one resided. I ordered the family names residing in that street to be called. When family name of his loved one was called his pulse changed again. Then I ordered all individual names in that family to be called. When he heard the name of his love, he changed and become upset. I noticed and told him, he could not deny and admitted the truth. Qabus felt very good and surprised. The suprise was deserved. Later he said: “Dear Supreme Sir, both the patient and his loved one were son and daughter of my sisters. Determine a good time to conduct their marriage ceromony.” Master Ebu Ali determined a time, ceromony was carried out and the patient married to his sweetheart. The patient recovered from an illness that almost killed him. Ibn Sina treated a love sickness case successfully.

(Translated from text of Gökay F.K, titled “Place of Ibn-i Sina in Turkish and World Medical Literature” by A. Dalkilic, MD).
 

Volume : 19 Issue: 3



Şerefeddin Sabuncuoğlu (1386-1470) THE PHYSICIAN OF SULTANS

Şerafeddin Sabuncuoglu, who made serious contributions to medical world and lived during Sultan Mehmet, The Conqueror around Amasya, is a global Turkish physician. Prof. Dr. Süheyl Ünver discovered the first handwritten book about this valuable scientist named “Cerrahiyyetü’l Haniyye (Imperial Surgery).” In 1992 Prof. Ilter Uzel published this book in contemporary Turkish with the same name.

Şerefeddin Sabuncuoğlu practiced surgery, dentistry, pharmacology, similar medical fields. His work in psychiatry was not known until 1996. Associate Professor Osman Sabuncuoglu showed first time to the whole world by having the miniature drawing copied from “Cerrahiyyetü’l Haniyye” published as cover picture in worlwide known the American Journal of Psychiatry in 1996 volume 163, December Issue. The same miniature is on the cover of this issue of our journal and we are thakful to Dr. Osman Sabuncuoglu for sharing it with us.

The history of modern psychiatry started about 200 years ago. However, Şerefeddin Sabuncuoğlu described psychiatric treatments in his hand written book 500 years ago. In “Cerrahiyyetü’l Haniyye”, Sabuncuoglu mentions “Mâl-i Hülya (Tendency to Fancy)”, a psychiatric presentation which means “fears, obsessions, and depression” in today’s psychiatry. He also explains with pictures how to treat this condition by holding a warmed iron rod close to the head of patient.

In addition Şerefeddin Sabuncuoğlu’s approach to patients were based on completely humanistic and avoiding harm principles even at that time. Today these patients are first prescribed medications and ECT was used in treatment resistant cases, as he recommended in his book.

Another significant point is that during a period, when Arabic and Persian languages were dominant, “Cerrahiyyetü’l Haniyye,” has a special importance as a Turkish book in medical history. Despite he knew Greek, Arabic, and Persian, he mentioned “I preferred to write this book in Turkish perposefully, as all physicians in Anatolia know Turkish.”

In conclusion, we think this valuable physician made significant contributions to psychiatry beside surgical sciences as mentioned in his Cerrahiyyetü’l Haniyye book, a handwritten copy of which is at Istanbul Beyazit State Library. His contributions should be accepted as “one of the periods that stars shined” in the history of psychiatry.

Reference:

http://www.osmansabuncuoglu.com/SerefeddinSabuncuoglu/Serefeddin%20Sabuncuoglu.htm
 

Volume : 19 Issue: 4



Volume : 20 Issue: 1




İrfan Okan


About The Artist
1960 – He was born in İzmir.
1982 – Graduated from Trakya University, Faculty of Fine Arts, Ceramics Department.
1987 – Graduated from Mimar Sinan University, Faculty of Fine Arts, Painting Department.
1990 – Completed his M.A. at Mimar Sinan University Faculty of Fine Arts Painting Department.
1992 – Entered to Mimar Sinan University Litography Department as a research assistant.
1995 – Took Masters Degree in art.
1997 – Became an assistant proffessor in Mimar Sinan University, Faculty of Fine Arts, Painting Department. He has been still working in the same university.

Awards
1996 İ.M.K.B 10th Year, Honarable Mention
1992 Moscow East Nations Museum Encouragement Award
1990 Contemporary Turkish Painting, First Award
1986 Seref Akdik Student`s Competition, First Award

Online Exhibitions
12.11.2009 İrfan Okan "Those Forgotten At Purgatory" Exhibition - Evin Art Gallery
13.03.2008 "Scenes of Memory" - İrfan Okan - Evin Art Gallery
30.11.2006 "Lives in Quadrangle" - Irfan Okan - Evin Art Gallery
29.03.2005 "Journeys to the Earth" - İrfan Okan - Evin Art Gallery
29.09.2004 İrfan Okan - "Expeditions" - Nurol Art Gallery
02.10.2003 "Local Phenomennonna" - Irfan Okan - Evin Art Gallery
10.12.2002 Irfan Okan Paintings - Evin Art Gallery
18.10.2001 Irfan Okan Solo Exhibition - Evin Art Gallery
09.11.2000 Irfan Okan Paintings - Evin Art Gallery
30.09.1999 Irfan Okan Paintings - Evin Art Gallery

Solo Exhibitions
2008 "Bellek Manzaraları", Evin Art Gallery, Istanbul
2006 "Karelenmiş Yaşamlar", Evin Art Gallery, Istanbul
2005 Saint Benoit High School, Istanbul
2005 "Arza Yolculuklar", Evin Art Gallery, Istanbul
2004 Evin Art Gallery, Nurol Sanat Galerisi, Ankara
2003 Evin Art Gallery, İstanbul
2002 Evin Art Gallery, İstanbul
2001 Evin Art Gallery, İstanbul
2000 Evin Art Gallery, İstanbul
1999 Evin Art Gallery, İstanbul
1998 Evin Art Gallery, İstanbul
1997 Evin Art Gallery, İstanbul
1995 Ekol Art Gallery, İstanbul
1994 Emlak Art Gallery, İstanbul
1992 Baldem Art Gallery, İstanbul
1991 Ramko Sanat Merkezi, İstanbul
1989 Gallery Zebra, İstanbul

Group Exhibitions
2007 Artist 2007, 17th Istanbul Art Fair, Evin Art Gallery
2007 Evin Sanat Galerisi-Hotel Casa Dell’Arte, Torba, Bodrum
2007 Evin Sanat Galerisi-Hotel Casa Dell’Arte, Torba, Bodrum
2006 Artist 2006 16th Istanbul Art Fair, Evin Art Gallery
2005 Artist 2005 !5th Istanbul Art Fair, Evin Art Gallery
2005 Evin Art Gallery, Istanbul
2004 Artist 2004, 14. İstanbul Art Fair, Evin Art Gallery
2004 "Spring 2004", Nurol & Evin Art Galleries
2003 BJK 100th Anniversary "Black & White" Exh., İst.
2003 13th Istanbul Art Fair, Evin Art Gallery, Tüyap
2003 Evin Art Gallery, Istanbul
2002 12th Istanbul Art Fair, Evin Art Gallery, Tüyap
2002 "Figure 4", Nurol & Evin Art Galleries
2001 Evin Art Gallery, Adahan, Yalıkavak, Bodrum
2001 11th Istanbul Art Fair, Evin Art Gallery, Tüyap İst
2000 10th Istanbul Art Fair, Evin Art Gallery, Tüyap İst
2000 Evin Art Gallery, Izmir, Ankara, Cyprus.
1999 9th Istanbul Art Fair, Evin Art Gallery, Tüyap İst
1998 8th Istanbul Art Fair, Evin Art Gallery, Tüyap İst
1997 Evin Art Gallery, Istanbul
1997 "Introspection", Atatürk Culture Center, Istanbul
1997 Kemer Country, İstanbul
1997 Devrim Erbil Studio Exhibition, Trakya University
1997 Evin Art Gallery, Istanbul
1997 7th Istanbul Art Fair, Evin Art Gallery, Istanbul
1997 Kare Sanat Galerisi, Istanbul
1996 Esenkent Culture Center Opening Exhibition, Ist.
1996 Master of Masters & One Fourth Century in Art
1996 Bilim Art Gallery, KKTC, Ankara, Istanbul
1996 MSU Fine Arts Faculty Members Exhibition
1996 MSU Young Faculty Members Exh., Passion Art Gal
1996 6th Istanbul Art Fair, Evin Art Gallery, İstanbul .
1995 Ekol Art Gallery, Istanbul
1995 5th Istanbul Art Fair, Evin Art Gallery, İstanbul
1994 Culture Ministry Painting and Sculpture Exhibition
1994 Ekol Art Gallery, Istanbul
1993 Nazım Hikmet Culture & Art Foundation, Ankara
1993 Print Exhibition, Capitol Art Gallery, Istanbul
1993 Young Artists in Turkish Rep.70th Anniversary, MSU
1993 3rd Istanbul Art Fair, Gallery Baldem, Tüyap, Ist.
1993 Tarık Zafer Tunaya Art Center
1993 Young Turkish Artists, Tabak Mus.,Vienna, Austuria
1993 YPM Art Gallery Opening Exhibition, Istanbul
1993 Young Artists Exh., Etibank Art Gallery, İst.
1992 "Four Turkish Artists", Moscow East Nations Museum
1991 1st Istanbul Art Fair, Ramko Art Center, Tüyap
1991 Ramko Art Center, Istanbul
1990 Contemporary Turkish Painting Comp. Exh., İstanbul
1990 Gallery Zebra, Istanbul
1989 ISE Erenköy Art House Opening Exhibition, Istanbul
1989 Kadıköy Culture and Art Center Opening Exh., İst.
1987 New Tendencies Exhibition, Istanbul
1986 Viking Print Competition Exhibition, Istanbul
1986 Devrim Erbil Studio Exhibition
1986 Gayrettepe Leo Club Young Artists Exhibition, İst. .
1986 Şeref Akdik Painting Comp. Exh., M.S.U., İstanbul

Volume : 20 Issue: 2



Nuri İyem

About The Artist
Between the period 1933-1937, Nuri İyem had attended the Nazmi Ziya, Hikmet Onat, İbrahim Çallı and the Leopold Levy Studios and graduated from them with the first degree. He finished his military service in 1938 and came back to the Academy in 1940 to continue his education for the masters degree in the Painting Department. Together with his colleagues Kemal Sönmezler, Selim Turan and Avni Arbaş, made observations about the fishermen and portworkers life and decided to open an exhibition describing their life struggle. Followingly Turgut Atalay, Haşmet Akal, Agob Arad, Fethi Karakaş, Ferruh Başağa and Mümtaz Yener participated in this group. These young students of Leopold Levy, opened an exhibition at “Beyoğlu Press Administration Hall” with the paintings they had handcrafted in the port and named their first exhibition as “The Port : Istanbul” in 1941. After this exhibition they are called as “Yeniler”. The group’s second exhibition with the theme “Woman” had been opened the same place and the third one at “Eminönü Public House”. “Yeniler” established an important turning point, first time in the Turkish painting history, with their point of view in defending the social realistic painting. Nuri İyem had taken his masters degree from the Painting Department of Academy and also win the first prize with his painting “Nalbant-The Horse Shoer” as his graduation project, in 1944. Then he opened his first personal exhibition, in 1946, at the third floor of a Beyoğlu job as well as participating in the fourth mixed exhibition of the “Yeniler” in the same year. Then he sent his “Nalbant-The Horse Shoer” to the UNESCO exhibition. In the following years he continously attended to the “Yeniler” mixed exhibitions which took place at the French Cultural Center once in every two years between the period 1947 to 1951. In 1948, he turned towards the abstraction in painting. He painted view and object abstractions. After the “Yeniler” group had been disseminated in 1951, he joined the exhibitions of Turkish Painters Association as a member. In 1952 he opened his second personal exhibition contuining of his nude and portrait paintings at the Maya Art Gallery. After this date, he had his own personal exhibition each following year. In 1956, he attended to the Venice and in 1957, he attended to the Sao Paulo Bienals. He had continued his abstractions and nonfigurative works until 1965. Between the years 1959 to 1970 he had several wall painting works none of which today. In the same period, his fine art articles appeared on periodicals: “Yeditepe” and “Dost”. In 1986, for the honour of his 50th year in fine arts, a retrospective exhibition had been held at the “Tüyap Trade Center” and an exhibition book had been published. He had received the honorary prize of the 50th year of Turkish Republic for painting in 1973, Sedat Simavi Fine Arts prize in 1989 and the honorary prize of the Tüyap Istanbul Art Fair in 1997. Evin Art Gallery had archived the photographic images of most of his Works by locating his paintings in the collectioners possessions. Being the continuationof this project, a retrospective exhibition, named “From Yesterday to Tomorrow : Nuri İyem” had been held in the year 2001. Also his an art book and two volumes and a cd had been published containing his 1504 paintings which had been exhibited.

Text
This Uncomparabable Creativity Through a Prosperous Family Life
Nuri İyem: Art - Independent, Realist and Turkey’s Own



Volume : 20 Issue: 3



Hakan Cingöz

About The Artist Cingöz graduated from the Painting Department of the Faculty of Fine Arts, Mimar Sinan University of Fine Arts in 2004. He completed his post-graduate studies in 2008 at the same university. His first individual exhibition was held at the Evin Art Gallery in 2009.

Awards
2007 Nuri İyem Paintings Competition, First Prize
2004 İpek-Ahmet Merey Paintings Competition, First Prize

Online Exhibitions
05.03.2009 Hakan Cingöz Paintings - Evin Art Gallery

Group Exhibitions
2006 "İnsan Manzaraları", Article Art Galllery, Istanbul
2006 "Figüre Bakış I" Akademililer Art Gallery, Istanbul
2005 "Merkezde Ne Var II", Akademililer Art Gallery, Istanbul
2005 Artist 2005, 15th Istanbul Art Fair, Karşı Art Gallery/Akademililer Art Gallery
2005 "17.05", Denizatı Art Gallery, Istanbul
2004 İpek ve Ahmet Merey Painting comp. Exh., Istanbul
2004 Artist 2004, 14th Istanbul Art Fair, Mimar Sinan Unv. Hall
2003 İpek ve Ahmet Merey Painting comp. Exh., Istanbul
2003 Turkish Heart Foundation Painting Comp. Exh
2003 Artist 2003, 13th Istanbul Art Fair, Mimar Sinan Unv. Hall
2003 "Seni Öldüreceğim İçin Çok Üzgünüm", Proje 4L, İstanbul
2002 "Buluşma" Performance 119 Activity, Münster

Text
Modern-Day Melancholy



Volume : 20 Issue: 4



Volkan Diyaroğlu (Her Dream)

Volkan Diyaroglu was born in 1 may 1982, in Istanbul, Turkey. He studied in Fine Arts Faculty of Mimar Sinan University and in Facultad de Bellas Artes de San Carlos de Universidad Politecnica de Valencia.

Scholarships and Residences:
1996-2002: TEKFEN HOLDING Scholarship, Turkey
2002-2003: Promoe, fine arts Faculty of UPV San Carlos, Valencia, Spain
2003-2004: Promoe, fine arts Faculty of UPV San Carlos, Valencia, Spain
2006-2007: Residence Abbaye de Maubuisson, Val-d’Oise, France
2007-2008: Residence in Cite International des Arts, Paris, France
2008: Scholarship, The National Museum of George Enescu, “Transfer Project”, Tescani, Romania(cat.)
2009: Residence in Maus Habitos, Porto, Portugal

Awards:
2008:
-XXXV Bancaja Painting, Sculpture, Digital Art Prize, Spain
-2008 “Next Star Artist Competition”, Finalist, Australia

Solo Exhibitions:
2010:
-“CONTEMPORARY ISTANBUL 2010 ART FAIR, Galeri Binyil, Istanbul, Turkey
-“HOY ALGO MAL PASA EN EL ACUARIO”, Maus Habitos, Porto, Portugal
-“WORMHOLES” in AR / CONTEMPORARY GALLERY, Milano, Italy
2009:
-“SEEKING THE PARADISES” in GALERIE CELAL, (in the project of cultural season of Turkey in France), Paris, France
-Maus Habitos, Porto, Portugal
2008:
- CEET Fondation, Madrid, Spain
-“NEVER_INTIM” in ARSLOCA, Gandia, Valencia, Spain
2007:
- “MI VERTIGO” in Galeria Edgar Neville, Valencia, Spain (cat.)
- “ZIGZAG” in EROA, Cergy, France
- “DELIK” in Forja Arte Contemporaneo, curator Toni Calderón, la sala naranja organisation, Valencia, Spain (Cat.)
- “DECALAGES” in Abbaye de Maubuisson, Val-d’oise, France (TRAM Paris/Ile-de-France Project 2007 “Hospitalités”)
2006: - “For the myopics” in Galeri Binyil in Istanbul, Turkey, (Cat.)
2004:
- “Post karaoke is higienic” , La Sala Naranja, (In three exhibition rooms (a,b and c), Valencia, Spain
2003:
- Kitsch International Artediverso “introduction of post karaoke for the adults”, Valencia, Spain
- VIII ISTANBUL BIENNIAL official paralel event, Galeri Binyil, Istanbul, Turkey
2002:
- Fine arts faculty of mimar sinan university Istanbul, Turkey

Group Exhibitions
2010:
-- “7 billionth person project“, The Parachute Factory Gallery, New Haven, Connecticut, USA
-- Ar / Contemporary Gallery, Milan, Italy
-- “ The Power of the Dynamism”, Galeri Binyil, Istanbul, Turkey
2009:
-- “Contemporary and Modern Works”, Ar / Contemporary Gallery, Milan, Italy
-- “XV International Biennial of Cerveira”, Portugal
-- “Horaley”, Mtaar – G.A.F. , Istanbul, Turkey
-- “Caos vs. Ordine”, Ar / Contemporary Gallery, Milan, Italy
-- “In search of lost reality : nevgeneration”, Galeri Nev, Ankara, Turkey
-- “Transfer”, Sub-Carturesti Art Gallery, George Enescu National Museum Project_, Bucarest, Romania (cat.)
-- “Al Bastakiya Art Fair”, SAATCHI GALLERY, Dubai, Emirates
-- “ Beautiful Freak”, FORJA ARTE CONTEMPORANEA, Valencia, Spain (cat.)
-- “Doga-Ask-Su”, Galeri Binyil, Istanbul, Turkey
-- “Contemporary 1-2009”, Galeri Binyil, Istanbul, Turkey
2008:
-- XXXV Bancaja Painting, Sculpture, Digital Art Prize Exhibition, Centro cultural de la Asuncion, Albacete, Spain (cat.)
- SLICK PARIS 2008 Art Fair, with the Focus Gallery Dubai, Paris, France (cat.)
- XXXV Bancaja Painting, Sculpture, Digital Art Prize Exhibition, IVAM, Valencia, Spain (cat.)
2006:
- “DESAFIOS” in Kanazawa Modern Art Museum, Kazanawa Citizen’s Art Center, Kanazawa, Japan
- “Artistanbul 2006” International Contemporary Art Fair of Istanbul, Galeri Binyil, Istanbul, Turkey, (Cat.)
- “Generacion Vulture” Vulture Magazine organization, Feria de Julio, Valencia, Spain
- “Art in evolution” , Espacio Carmen, Antiguo convento Mosén Sorell”, Valencia, Spain
- “O eres tu john wayne o lo soy yo”, la sala naranja, Valencia, Spain
2005:
- Observatori 2005” VI International artistic investigation festival of Valencia” in the museum of Principe Felipe, Ciudad de las artes y ciencias (Sala Arqueria, permanent exhibition), (Cat.)
- “international fine arts congress” in Burjassot, Valencia, Spain
- “post patetic”, La Sala Naranja, Valencia, Spain
2004:
- “En el margen de Turia” Riba-roja art festival, Valencia, Spain
2003:
- Fons d’art of UPV, Valencia, Spain
2002:
- Fine arts faculty of mimar sinan University Istanbul, Turkey
2001:
- Istanbul State Gallery (Istanbul Devlet Guzel sanatlar Galerisi “atolye 4” Istanbul, Turkey
2000:
- Museum of fine arts of istanbul “ipek-ahmet merey resim yarismasi” Istanbul, Turkey

Other Events
2001: “FIRE the family” in Atolye 4 in istanbul, Turkey
2002: “cleaning I” in the mimar sinan fine arts faculty, Istanbul, Turkey
2003: “painting by the car” in Istanbul, Turkey
2003: “painting by the car” in Calatrava street in Valencia, Spain
2004: Actuation in “Kitsch Kitchen” (SOUP I) Valencia, Spain
2006: Artist of the month in art magazine “VULTURE” 31st edition in february
2006: Selection for an individual exhibition for Edgar Neville Gallery
2007: “Clipstation” Multimedia exhibition in Spain (Madrid, Barcelona, Valencia)
2007: “Porte Ouverte”, Paris, France

Publications, Reviews and Bibliography:
2010:
- Interview by Art-core.tv, December 2010
- Asian Art Newspaper, Lucien de Guise, “Golder Horn of Plenty”, May 2010
- Exibart, “Wormholes”, Ginevra Bria, 8th April 2010, Italia
- “Wormholes”, Francesco Clerici, 1st February 2010, Italia
2009:
- Antena 3 Neox TV, “Meeting Point” tv programme, interview, 22nd Novembre 2009, Spain
- “The Art of Volkan Diyaroglu”, Nicholas Forrest, The Visual Artbeat Magazine, September 2009, Austria
- Artist Actual, “in the search of the lost reality”, Baris Acar, July-August 2009, 32nd Page, Turkey
- Tendencias Fashion Magazine, June 2009, no 148, 103rd page, Spain
2008:
- STAR newspaper, 3 August 2008, Mihrisah Safa, 17th page, Turkey
- STAR KIBRIS newspaper, 6 August 2008, Mihrisah Safa, Cyprus
- EL MUNDO newspaper, 25 July 2008, “El Arte del futuro se da cita en el IVAM”, Spain
- EL PAIS newspaper, 25 July 2008, “El turco Diyaroglu y el ucranio Aljoscha, premios Bancaja”, Spain
- LEVANTE newspaper, 25 July 2008, “L’IVAM acull els premis Bancaixa”, Spain
- ABC Newspaper, 25 July 2008, “Tintes Universales en el XXXV Premio Bancaja de Arte”, Spain
- Barbara Steffen, Director of Contemporary Art of the Albertina Museum of Vienna, Austria, XXXV Bancaja de Pintura, Escultura y Arte Digital Prize and interview with Volkan Diyaroglu, Spain
- Yahoo NEWS Spain, 24 July 2008, “El IVAM toma el pulso a las tendencias del arte internacional...”
- Publication of the interview with Volkan Diyaroglu, VRV
Gallery, Canada
- “Turkish Artist Volkan Diyaroglu” of Nicholas Forrest, Artmarketblog, publication of the interview with the art critic Toni Calderon, 28 May 2008, Australia
- “SAATCHI GALLERY ONLINE_TOP 10” of Alix Rule, Saatchi Online Magazine
- Artiz Magazine, Issue:2, publication of own article, Turkey
- VOLKAN DIYAROGLU: Saatchi Online Critic’s Choice By Nicholas Forrest, Saatchi Gallery
- Artiz Magazine, Issue:1, publication of own article, Turkey
- “TVE2” Spanish national television, tv programme “Metropolis” publication and interview, 3rd February 2008, Spain
- Publication of the works at “JHON MAGAZINE” 20th issue, France
2007:
- Text of Christian Parra-Duhalde, “Vértigos globales”, at LEVANTE newspaper, Posdata, 7 th december 2007, Spain
- Text of Toni Calderon, “Volkan Diyaroglu.Mestizaje y Sincretismo” at the “Mi Vertigo” exhibition catalog, Spain
- Connaissance des Arts Magazine “Hospitalites” No:648, april 2007, page number 32, France
- Paris/ile de france, Museums&Monuments, publication of the work, France
- The newspaper “Sabah” 16th April 2007, (First Page), Publication of the work, Turkey
- Sortir Magazine, Cergy-Pontoise, March 2007, Issue : 171, Publication of the work, France
- Tram “Hospitalites” brochure, text of Caroline Coll-Seror, France
- “TRAM brochure”, january-april 2007, Publication of the work, France
- Sortir, Magazine de Spectacles Rhone-Alpes,, april-juny 2007, issue: 20, France
- “EVENE_Artists Celebres”, Publication, France
- “SAATCHI GALLERY ONLINE_TOP 10” of Rebecca Wilson, editor of the Your Gallery Magazine
- Interview with Toni Calderon, Book of “Delik” exhibition, grupo forja, Spain
- Text of Jose Mir, Book of “Delik”, grupo forja, Spain
- Publication at the newspaper “Levante”, Mercalevante, Valencia, Spain
- Interview at the UPV TV, at “ven y veras” prograqmme 07/05/2007, Valencia, Spain
- “Artvisit 2” , Turkey
2006:
- Artistanbul 2006” book, publication of the work, Turkey
- Publication at the “HURRIYET” newspaper, (KELEBEK), 8th Juny 2006, Turkey
- Publication at the “SABAH” newspaper, 17th Juny 2006(GUNAYDIN), Turkey
- Text of Toni Calderón at the “Para los myopes” book, Gallery Binyil, Istanbul, Turkey
- Publication at the “LEVANTE” newspaper, 4th April 2006, Valencia, Spain
- Publication of the works at “VULTURE” magazine, February 2006, Issue: 31, Spain
2005:
- Publication at Observatori 2005 book, Valencia, Spain (text of Toni Calderon)

Volume : 21 Issue: 1



NUSRET ÇOLPAN

Nusret Çolpan was born in 1952 in the Bandirma, He graduated from the Department of Architecture at Yildiz University in Istanbul. During this time, he studied with two of the leading authorities in Turkish illumination and miniature painting, Dr. Süheyl Ünver and Azade Akar. Mr. Çolpan lives in Fatih, Istanbul, where he runs his own interior decoration and architectural firm.

Mr. Çolpan has been greatly inspired by the work of Matrakçi Nasuh, the acclaimed miniaturist in the court of Süleyman the Magnificent. Nasuh, an historian as well as a painter, not only immortalized sixteenth century Istanbul, and other Ottoman cities, but also the cities of Toulon and Genoa, whose European architecture he rendered in classical miniature style.

A parallel can easily be drawn between Nasuh and his modern-day student, Nusret Çolpan. Mr. Çolpan paints the mosques, forts and palaces of Istanbul with the eyes of Nasuh, but with the soul of a twentieth century ''Istanbullu'' His fascination with and love for Istanbul are revealed in his attention to minute detail and in his whimsical compositions, many of which are characterized by their broken borders. Birds, waves and minarets spill out in elegant disarray. Mr. Çolpan will also subject foreign cities to his lyrical brush. rendering, for example, Manhattan, a delicately snow-sprinkled city-scape in which buildings, boats and bridges exist in happy disregard for dimension. Always sensitive to seasonal and atmospheric effects on architecture, Mr. Çolpan's best works explore the many contrasts between stone and the elements - mosques in the . moonlight, under a layer of snow or encircled by lush cypresses.

Whether Mr. Çolpan depicts sixteenth century Istanbul or its.present-day incarnation, one is aware of the respect he gives to both. Each miniature is an example of his extraordinary dexterity in employing a traditional style to interpret the new as well as the old.

Also ; Istanbul underground stations tile miniatures belong to him. And He also special Worked a tile Paris miniature to the President of France H.E. Jack Chirac and Moscow miniature to President of Russia Vladimir Putin as a present.

Many of Mr. Çolpan's paintings are now Iocated in private collections in New York, Germany, England and Japan, as well as in Turkey. One of his miniatures is a part of the permanent collection at the Santa Barbara Museum of Art in California.

Volume : 21 Issue: 2



NUSRET ÇOLPAN Paris

Volume : 21 Issue: 4



NUSRET ÇOLPAN

Nusret Çolpan was born in 1952 in the Bandirma, He graduated from the Department of Architecture at Yildiz University in Istanbul. During this time, he studied with two of the leading authorities in Turkish illumination and miniature painting, Dr. Süheyl Ünver and Azade Akar. Mr. Çolpan lives in Fatih, Istanbul, where he runs his own interior decoration and architectural firm.

Mr. Çolpan has been greatly inspired by the work of Matrakçi Nasuh, the acclaimed miniaturist in the court of Süleyman the Magnificent. Nasuh, an historian as well as a painter, not only immortalized sixteenth century Istanbul, and other Ottoman cities, but also the cities of Toulon and Genoa, whose European architecture he rendered in classical miniature style.

A parallel can easily be drawn between Nasuh and his modern-day student, Nusret Çolpan. Mr. Çolpan paints the mosques, forts and palaces of Istanbul with the eyes of Nasuh, but with the soul of a twentieth century ''Istanbullu'' His fascination with and love for Istanbul are revealed in his attention to minute detail and in his whimsical compositions, many of which are characterized by their broken borders. Birds, waves and minarets spill out in elegant disarray. Mr. Çolpan will also subject foreign cities to his lyrical brush. rendering, for example, Manhattan, a delicately snow-sprinkled city-scape in which buildings, boats and bridges exist in happy disregard for dimension. Always sensitive to seasonal and atmospheric effects on architecture, Mr. Çolpan's best works explore the many contrasts between stone and the elements - mosques in the . moonlight, under a layer of snow or encircled by lush cypresses.

Whether Mr. Çolpan depicts sixteenth century Istanbul or its.present-day incarnation, one is aware of the respect he gives to both. Each miniature is an example of his extraordinary dexterity in employing a traditional style to interpret the new as well as the old.

Also ; Istanbul underground stations tile miniatures belong to him. And He also special Worked a tile Paris miniature to the President of France H.E. Jack Chirac and Moscow miniature to President of Russia Vladimir Putin as a present.

Many of Mr. Çolpan's paintings are now Iocated in private collections in New York, Germany, England and Japan, as well as in Turkey. One of his miniatures is a part of the permanent collection at the Santa Barbara Museum of Art in California.

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